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I have worn MANY creative hats in the past, including graphic designer, art director and interior decorator.
I earned a BFA in graphic design and spent my early professional career working for ad agencies, newspapers and corporations.
I primarily paint in acrylic and illustrate in graphite, charcoal and pen/ink. I love to paint and illustrate all subjects. The world is full of interesting things from landscapes to people. My approach has been to study the interaction between lights and darks. I have discovered that there is much beauty in the darkness which is also a philosophy that I follow in life.... answers are sometimes revealed in the shadows.
Q & A Artist Interview
How did you first decide to study art in college?
I almost talked myself out of majoring in art. I was a creative person at heart, but I was convinced that going into the medical field as a Nurse Practitioner would pay the bills. However, I knew that art would fulfill me in more ways than I could ever imagine. I was right! I received a BFA in graphic design and became successful in the advertising field. And, guess what? It paid the bills!
How has your style changed over the years?
I started out as a realist. I think I became bored trying to copy an image from a photograph. I wanted to put my own stamp on my art.
I became obsessed with developing my style which translated into what I would describe as Modern Impressionism. My particular painting style is comprised of loose bold brushwork, vibrant color and examining the relationship between lights and darks.
Why acrylic paint as a medium?
I started out working in several different mediums. I never committed to a specific medium until I took a class in acrylic painting around the start of the Pandemic. Back then, I had time to practice my painting skills and experiment with acrylics. I love the fact that it is less toxic than oil, easier to layer, and drying time is relatively fast.
What is a surprising fact about yourself?
I played the violin from age 9-14. I was a member of the Columbia Youth Orchestra and the Junior String Ensemble. We played in front of several large concert audiences when I started to suffer from stage fright. I was so afraid of making an error that I would sometimes
“fake it” by holding my bow above the strings and never making a sound with my instrument. I found out that I was an excellent actress! Of course, my stage fright would never allow me to pursue that avenue either.
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